06/12/12

Catch an Expeditious App and Put It In Your Pocket!

Geolocation is integrated into Fodor's City Guide apps.

Six cities have updated wanderlusting apps from Fodor’s Travel, who has announced the re-launch of their City Guide apps for iPhone and iPad (Nook and Android versions are in the works). The free apps now integrate partner functionality from Expedia, OpenTable and Ticketmaster, and are available for New York City, Paris, London, Rome, Barcelona and San Francisco. They offer geolocation features and interactive offline maps, which are powered by developer Red Foundry’s new Fusion Platform, the world’s first network uniting app developers and publishers with service providers.

Travelers can book hotels through the Expedia Affiliate Network, make dinner plans with OpenTable, and buy show and concert tickets through TicketsNow, Ticketmaster’s resale marketplace. The geolocation features allow sojourners to see what is nearby by interest—categories include what to see, what to eat, shopping, nightlife/arts, and where to stay.

Arthur Avenue in the Bronx is a trendsetter's alternative to Little Italy in Manhattan. Photo by Paul Clemence.

I decided to take the New York City app for a test drive on my iPad, and it nailed my location quickly. I agreed with many of the “what to see” listings it put up, several of which I would recommend for tourists visiting NYC who want more than the usual suspects of places to see. One of which was Arthur Avenue in the Bronx, which my pal and architectural photographer Paul Clemence has photographed so eloquently, as the above photo proves.

Fodor's City Guide Apps Offer OpenTable Reservations.

The “what to eat” suggestions were a bit all over the place but I did ask for the best recommendations in New York City without determining a culinary style, and the fact that they could narrow it down as tightly as they did impressed me! Shopping brought up everything from Betsey Johnson in SoHo to Beads of Paradise in the Flatiron District and the Bedford Cheese Shop in Brooklyn, which I have frequented (and give the app a high five for referencing).

The oh-so-edgy tiki bar Painkiller wasn’t listed under “Nightlife & the Arts” (though I’ll admit, it would probably cause anyone who is less than an intrepid traveler to freak out when standing on the street in front of the bar’s address and see no discernable sign of a party until someone entering or exiting opened the graffiti panel serving as the venue’s door)-steamy! Pegu Club is there—excellent sourcing by featuring this mixology-driven venue, Fodor’s.

The Lower East Side has its own version of a hip, Parisian cafe for writers and filmmakers to hang.

Kudos to the travel experts for listing the Pink Pony on the Lower East Side. Any café with a mural of Arthur Rimbaud on the wall and a tagline like “Café Littéraire & Ciné Club” is high on my “kicky and quirky venues” list, which we locals pride ourselves in compiling for those times we want something out-of-the-ordinary. The Field Notes section is great—the perfect place for accumulating the lists you’d like to share with friends who will be visitng the same city or for resourcing your highlights the next time Hērmēs, the god of travel, wings you to the same town.

Sax in the City has only one request of the developers: I would like to have seen an easier search function for places by name. Those of us who travel frequently, especially travel journalists who are writing about cities, often go armed with recommendations for venues to experience. This app only allows search by previously determined categories unless it’s not obvious and if it’s not obvious to me someone using this level of technology for the first time wouldn’t likely find it. That said, these apps are definitely well worth the time it takes to download them. Off I go to Paris (if only)!

04/29/10
Matthew’s living room in the country is filled with Italian art and antiques, while the room itself was inspired by Palladian architecture.

Italy of My Dreams

Matthew White

Interior designer and author Matthew White, who co-founded the New York design firm White Webb, has a new book out. The expressive title, Italy of My Dreams, hints at the beauty contained in the book, both in terms of imagery and of the prose White so beautifully composed. Here’s a taste of his choices for the dreamiest locations in one of the most heavenly countries on earth! In his own words: In these pages, I share how I was seduced by Italy, and how that seduction affects the style in which I live (case in point: though each of the homes featured here could be nestled into the Italian countryside, each one is on American soil). Just as the grand tour so deeply affected travelers three hundred years ago, Italy continues to move and inspire me. So this is my “grand tour” of sorts, a tour of my Italian-inspired homes, past and present. Each one of these houses, whether situated in town or country, East Coast or West, link three essential elements: love of domesticity, love of beauty, and love of Italy. There’s an old Tuscan proverb that says “Man makes the place, and the place makes the man.” From my earliest days at the trailer park I have pursued one thing—beauty. I may have found it in Italy, but I made it at home.

Matthew’s living room in the country is filled with Italian art and antiques, while the room itself was inspired by Palladian architecture.

Matthew’s First Trip to Venice: It was from a train that late September evening when we first laid eyes on Venice. Night was falling, and our view through the window as we crossed the lagoon made the city appear as a sleeping giant lying thin and elegant on the water. I knew I would love Venice long before we had even begun to plan the trip, long before I arrived there. Venice represented to me a city from a different realm. A place not really of this world. How else could one explain a city of stone palaces built on water? Matthew’s take on the influence of the Tuscan villa on American design: Il Poggio and various other great Tuscan houses would inspire architects, artists and writers for centuries. Edith Wharton wrote the book Italian Villas and their Gardens as a way to share her enthusiasm for these romantic places. Bernard Berenson, the famous art historian who specialized in the Renaissance, lived in a charming villa in Fiesole, just outside of Florence. These nineteenth and early twentieth-century American tastemakers understood the architectural importance of the Italian country house and were in part responsible for bringing that understanding to a larger audience in the modern age.

Villa delle Favole was a house Matthew restored in California. Its old garden, like its architecture, was inspired by the Italian Renaissance.

How Thomas Jefferson was inspired by Italian architecture: Monticello was unique in eighteenth-century America in that it looked back to the great buildings of Palladio and ancient Rome yet seemed very contemporary. And because of Jefferson’s ingenuity, the house incorporated some original and very American ideas. The concept of referring to the romance of European history while living in the present and casting an eye toward the future is a completely American trait. Italian influences in the work of McKim, Mead & White, and how that spirit continues: Charles McKim said…”As Rome went to Greece, and later France, Spain and other countries had gone to Rome for their own reactions to the splendid standards of Classic and Renaissance Art, so must we become students, and delve, bring back, and adapt to conditions here, a groundwork on which to build.” More than a century later, I was inspired to follow a similar path. By taking inspiration from the past — ancient Rome, Renaissance Italy, and Stanford White’s New York — I created a place for living in the twenty-first century. The result is a home steeped in two millennia of Italian history yet created by, and for, Americans.

This library holds ideas that are both Italian and American.

Venice’s admiration of styles from the East: No city in the world is a more alluring melting pot of Eastern and Western styles than Venice. Every arched window and each glittering façade stands as glamorous testament to the admiration Venetians had for the art and architecture of the Eastern Mediterranean. And yet each architectural element shows how Venice took that style and made it uniquely its own.