The Armory Show hit NYC last weekend and the art-haute crowd was milling around the Piers breathing in some pretty rarified air. I made my way around the Modern show seeing the work of some of the most iconic names in art history hanging on the provisional walls. New York-based Jonathan O’Hara Gallery had a booth filled with transfer drawings by Robert Rauschenberg, and I had just about given up on my game of “looking for Julian Opie” (haven’t been to an art show in years during which I wasn’t seeing his effulgent figures incessantly stepping or swaying) when we spotted a series of his works in London town’s The Alan Cristea Gallery booth (no prancing portraits this time, but an interesting series of fashionable figures).
One of my favorite galleries was in attendance, Cleveland, Ohio-based Contessa Gallery, bringing what I have come to regard as their normal high standards to the show. Chuck Close was front and center in their booth and they had a handful of excellent Andy’s (Warhol, that is). I especially liked the Pop-maestro’s graphite on hand-made paper piece depicting kicky Halston heels. A mere $450,000.00 would have allowed you to take the #FashionFriday statement home!
Contessa brought David Drebin to the fair. He’s been getting ample buzz of late and we’re betting he’s one to watch. So agrees ARTnews and the New York Daily News (just in case our word’s not enough!). Our pick from the nearly sold-out Drebin offerings? “Me & Me.” At $3,400.00, it was a steal next to the Close portrait ($120,000.00) and a 1951 oil-on-canvas Jean Dubuffet ($450,000.00).
My take on that: get him while you can! If the crew at Contessa is as right as it has been in the past (and who can argue with Close, Dubuffet and Warhol), his prices will rise with his fame. Happy Roaming art lovers everywhere!